If you read any of my Seen Through the Phantom’s Eyes series, the importance of the Palais Garnier, also known as the Opéra Garnier is obvious.
Construction on the Palais Garnier was begun in 1861 and opened in 1875. The architect, Charles Garnier, was a young man who won a competition, from a field of 170; Napoleon III had a vision for redesigning the city by widening the streets and creating a new “look” for the City of Light, and this was part of it. Garnier’s opulent design reflected the Second Empire Beaux-Arts style, and presented ample opportunities to see and be seen. At this time in history, people did not go the the opera to look at the show, but to look at one another; the house lights were not even dimmed during the performance. Until 1881, when electricity was installed, the theatre used gaslight.
The auditorium itself is small in comparison to the size of the building, seating 1,979 people. In the auditorium, the central chandelier is now surrounded by a rondel painted by Marc Chagall; the original rondel is on display in the opera’s library.
When we were there in 2013, the main facade was in scaffolding for cleaning. However, the artist’s entrance in the rear was unobstructed, so I thought it would be fun to share that with you. The photos include the grand staircase, the lobby with yours truly, the Grand Gallery, the library, street signs for the two entrances and, of course, Box 5.
(Photos of the Opéra Garnier by the author.)
Love this blog post! I had no idea that the original rondel was displayed in the Opera House’s library, so you taught me something today. 🙂 Thank you for sharing the photos! They are just lovely!
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My pleasure! Unfortunately, my photo of the original rondel did not come out very well or I would have shared it, too. I’m glad you enjoyed the post and photos. Thank you for stopping by!
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Such a beautiful historic site! Lovely post. 🙂
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Thank you so much. It made a beautiful world in which to write.
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It’s crazy to me how people went to the opera to look at each other! I think if I would have been one of the people performing at the opera, that would have annoyed me greatly. 🙂
Visiting from the A to Z Challenge. See my “O” post here: https://lydiahowe.com/2017/04/18/o-is-for-outsider-atozchallenge-plus-a-vlog/
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Composers of the period, like Meyerbeer, put all kinds of spectacles in their operas to try to draw the audience’s attention. They might have someone go whooshing by on roller skates, for instance, or have someone on horseback (a fact of which I take decided advantage in my debut novel, In The Eye of The Beholder). It really was about seeing and being seen for the upper class during that period. It’s also why there are so many galleries for strolling.
Thank you for stopping by!
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I love this place so much.
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They were rehearsing “Cendrillon” when we were there, but the theatre was “dark.” I hope to see a show there next time.
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what a beautiful building.
Melissa @ My Creatively Random Life
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It walks a close edge between “over the top” and “a perfect jewel box,” that’s for sure. I love it. Thank you for stopping by!
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Oh, I would love to visit such a place! I appreciate really good architecture. I’m not an expert on it, but I know how to appreciate.
Anyway, thanks for the follow! I see you have an interesting theme going on here 🙂 Mine is simply “writing-related”. It’s not as easy as I thought actually, he he…
Ode Things
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My pleasure! My theme is *mostly* facts from my fiction, with some detours along the way. This is the first time I’ve done the #atozchallenge and you’re right; it’s not easy! I have already planned for next year.
The Opéra Garnier truly is breathtaking in person. I hope you are able to see it yourself some day.
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Yes, someday….!!!!!
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Reblogged this on Sharon E. Cathcart and commented:
I’m reblogging this 2017 post about the Opera Garnier, which includes photographs from my visit. The opera house is the setting for most of In The Eye of The Beholder.
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